If Dragon Ball Super Anime Returns, What Art Style Could It Use?
Since Dragon Ball great ended in March 2018, the anticipation of his return was a constant for the dragon ball fanbase. The series ended with the narrator promising that this would be a short break, and the story of great both in manga and movies as continued Broly — but four and a half years later, the anime still hasn’t returned.
The release of Dragon Ball Super: Superhero has revived interest in something new Dragon Ball great Series, and credible leakers have suggested the show will return in 2023. Speculation has been rife as to what a new series might include, from what material they might adapt to the show’s look. Modern dragon ball has seen such a wide variety of art styles that there are a number of ways a Dragon Ball great could take a continuation.
Why Dragon Ball Super’s Animation Received Backlash While the Movies Received Praise
Toei animator Tadayoshi Yamamuro served as character designer for several of Dragon Ball Z90s movies, with many of his designs being incorporated into the series itself. After on TV dragon ball come to an end Yamamuro would spearhead the character designs in promotional materials for video games and home releases, and would continue the role when dragon ball returned with battle of the gods and Dragon Ball great.
During Yamamuros DBZ Designs were iconic, his modern designs were a source of criticism as they featured excessive highlighting and stiffer anatomy. Between these animation-unfriendly designs and a rushed schedule, Dragon Ball greatThe animation quality of got off to a rocky start and was the target of backlash.
To the Dragon Ball Super: Brolytried to refresh Toei animation dragon ball‘s visuals and animator Naohiro Shintani was chosen for the film’s character designs. Compared to Yamamuro, Shintani’s designs featured more natural anatomy, softer features, and less complex shading. These were specifically created to be more animation friendly and allow for that Broly‘s animators a greater sense of freedom. Broly received universal acclaim for its looks, and many hoped that Shintani’s designs would be the future of the series.
However, to the shock of the fan base, the next film was again subjected to a massive visual overhaul. In July 2022, superhero was announced first dragon ball Film to show a 3DCG visual style. Despite initial skepticism superhero was also praised for its visuals, but whether the CGI look was just a one-off – or the future direction of the series – remains to be seen.
A new Dragon Ball Super anime could go a number of ways visually
While Toei has previously worked on CGI for movies, is a hypothetical 3DCG Dragon Ball great Follow-up would be the company’s first foray into fully televised CGI production to rival critically acclaimed shows like beasts and Land of the Shining. superhero would thus ensure a perfect test start dragon ball‘s new look ahead of a new series. However, it’s possible that Toei chose the look for the film simply because of tight deadlines – since many of her 2D animators are working on other projects, superhero‘s appearance may have been the result of an animation team being too thin.
That may not be a topic for a future television series. Two of Toei’s biggest TV projects, Digimon: ghost game and Dragon Quest: The Adventure of Dai will soon come to an end and thus relieve the burden for the future dragon ball Series. Should great Returning to 2D, many fans are hoping Naohiro Shintani will return as a character designer. In terms of a weekly production, his simpler designs would go a long way in helping the characters stay in the model episode after episode, while the animators tweaked the designs during more intense sequences, such as: B. in, can make more detailed Broly.
Alternatively, Tadayoshi Yamamuro could return to maintain consistency between the original great and his successor. Despite not continuing to work Broly or Superhero, Yamamuro has continued to work for the franchise Super Dragonball Heroes, a monthly animated tie-in to the arcade game of the same name. While fans who criticize Yamamuro’s modern approach may be skeptical of his return, his performance is on heroes has shown a kind of return to form, with less excessive shading and character faces more reminiscent of him Zera work.
Chikashi Kubota, superhero‘s Character Designer, could be another candidate. In spite of superhero The film is predominantly 3D and features a traditionally animated prologue that summarizes the events of the Red Ribbon Army and Cell Sagas animated by Kubota. Some have speculated that the sequence could be a test run for Kubota to handle the design of a full one Dragon Ball great Series.
The Red Ribbon Army section features simple designs and smooth animations, while the Cell section highlights key battles from the arc with highly detailed character art. While both parts of the prologue were praised by the fanbase, it’s unknown at this point where Kubota would ultimately go once he was given the keys to the series’ character designs.
Whether the designs for a new great Series will be handled by Yamamuro, Shintani, Kubota or anyone else remains to be seen. Hopefully, no matter what format the show returns in, it will continue to provide fans with this eye candy Broly and superhero have already dealt with it — giving the entertainers a much healthier schedule than the original Great.